Pricing Guide
Market rates for outsourced photo editing vary widely by service — published rate cards run from about $0.06 per image for basic wedding colour correction up to $35 per image for complex real estate work, with photo restoration priced separately, per photo, from around $20 into the hundreds for severe damage. Pinnacle Edits prices at or below the wider market on every service, from $0.12 per image and $3.50 per photo for restoration — well under the $0.90 per image that dedicated wedding editing agencies start at, and level with the cheapest sourced product rate.
This page compares pricing models and market rates against our own, service by service. For the full breakdown of any one service — what drives the price and a worked example — follow the link in the table below.
Last reviewed by the Pinnacle Edits editing team.
| Service | Market range | Pinnacle Edits' rate | Full breakdown |
|---|---|---|---|
| Wedding & event photo editing | $0.06 – $2.50 / image (agencies from $0.90) | from $0.12 / image | See the full pricing guide → |
| Real estate photo editing | $2 – $35 / image | $0.45 – $2.50 / image | See the full pricing guide → |
| Product & ecommerce editing | $0.25 – $5.00 / image (from $0.95 at Pixelz) | $0.25 – $3.00 / image | See the full pricing guide → |
| Photo restoration | $20 – $350 / photo | $3.50 – $10.00 / photo | See the full pricing guide → |
| Video editing | $20 – $250 / hr, $200 – $5,000 / video | from $20 / short-form video | See the full pricing guide → |
Market ranges are drawn from published agency rate cards and industry pricing guides, not from Pinnacle Edits. Sources are listed on each service's full guide.
The same work can look cheap or expensive depending purely on how it is billed. Comparing prices means comparing models first.
You pay a fixed rate for each photo edited.
Cheaper for irregular work and small batches, where you would not use up a package.
A flat fee covers a gallery up to a set image count.
Best value once a single job passes roughly 300–400 images — the effective per-image rate drops sharply.
A dedicated editor works to your style for an agreed monthly fee.
Breaks even against per-image pricing at steady high volume, and buys consistency plus reserved capacity in peak season.
The widest price gap in editing is usually not between good and bad providers — it is between markets. A studio operating where the cost of living is lower can often charge a fraction of a domestic freelancer's rate for similar work. That does not make the two interchangeable: quality, consistency and communication still vary by provider, and are worth checking independently of price.
What that means when you compare quotes: a much lower price is not automatically a quality signal in either direction. The things worth checking are consistency across a large batch, whether a dedicated editor learns your style, turnaround under load in peak season, and how your files are handled and secured.
Our guide to outsourcing photo editing covers how to evaluate a provider beyond the headline rate.
Photo Editing
Pinnacle Edits prices most photo editing services from $0.12 to $3.00 per image — wedding colour correction from $0.12, real estate $0.45 to $2.50, and product editing $0.25 to $3.00 per image — with photo restoration priced per photo at $3.50 to $10. Published market rates run considerably higher: real estate editing alone ranges roughly $2 to $35 per image across providers, and restoration $20 to $350 per photo.
Per-image prices vary a lot by service. Published market rates run roughly $0.06 to $2.50 per image for wedding editing, $2 to $35 for real estate, and $0.25 to $5.00 for product and ecommerce editing, before volume discounts. Pinnacle Edits prices at or below that market across all three: $0.12 for wedding colour correction, well under the $0.90 that dedicated wedding editing agencies start at; $0.45–$2.50 for real estate, against a $2–$35 market; and $0.25–$3.00 for product editing, level with the cheapest sourced product rate.
Per-image pricing is cheaper for irregular, small batches. Package pricing generally becomes better value once a single job passes roughly 300 to 400 images. At steady high volume, a monthly retainer is usually cheapest.
The largest driver of that gap is typically the cost of living in the market where the studio operates, more than a difference in skill. Because a lower price is not automatically a quality signal either way, compare providers on batch consistency, turnaround under load and file security rather than on rate alone.
No. RAW files give an editor more latitude and usually produce a better result at the same price. They are larger to transfer, which affects upload time rather than cost.