Podcast
Noise gone, levels even, the tangents tightened, cameras cut to whoever is talking — and every episode mined for the clips that actually get you discovered. Audio or video, any length.
Why It Matters
An audience will stay through an average episode of a show they like. They will not stay through a hiss, a guest who is half the volume of the host, or ninety seconds of working out whether the recording started. Audio quality is the one thing that gets a show closed in the first minute, and it is entirely fixable after the fact.
The other reason to hand it over is that podcast editing does not scale with enthusiasm. An hour-long conversation is several hours of editing, every single week, forever. That is what kills shows — not running out of guests, but the Sunday evening when the episode still is not cut.
And most shows never cut clips, which is the part that compounds. An hour-long episode almost always contains three or four exchanges that stand alone, and vertical captioned clips are how people find a podcast they were not already looking for. Doing it in the same pass as the main edit costs a fraction of doing it separately later.
Publishing the clips as Reels or Shorts? That is short-form editing from $20 a video. Putting the full episode on YouTube is YouTube editing at $15 to $20 an hour.
What Is Included
Room tone, air conditioning, laptop fans, street noise and the hum a cheap interface adds — removed without leaving the underwater artefacts aggressive denoising causes.
A quiet guest and a loud host brought to the same level, then the whole episode mastered to a consistent loudness so nobody reaches for the volume mid-listen.
Ums, false starts, long silences, tangents and the five minutes of setup chat before you actually began. Tightened without making anyone sound clipped.
Two, three or four angles synced to the audio and cut to whoever is speaking, so a video podcast does not sit on one wide shot for ninety minutes.
Separately recorded audio matched to camera footage, including remote guests recorded locally on their own end — the setup that produces the best quality and the worst drift.
Each episode mined for standalone clips, cut vertical and captioned for social — the part most shows skip and then wonder why nobody discovers them.
Who It Suits
How It Runs
Separate tracks per speaker where you have them — a single mixed file limits what can be fixed. Include camera footage if it is a video show.
Intro and outro, ad slots, how tight you want the edit, and how many clips per episode. Set on the first episode and held for every one after.
Noise removed, levels balanced, content tightened, cameras synced and cut, then mastered to a consistent loudness and cut into social clips.
Up to three revision rounds. Listen on the worst headphones you own — that is where a weak master falls apart, not on studio monitors.
Common Questions
Podcast editing is quoted per show rather than off a rate card, because a 20-minute solo audio episode and a 90-minute four-camera video panel are completely different jobs. Send one episode and we will quote the real number, plus a per-episode rate if you publish on a schedule.
Yes. Multi-camera sync, cutting to whoever is speaking, and matching separately recorded audio to camera footage are all standard. Video podcasts are the format where a static wide shot for ninety minutes costs you the most viewers.
Yes, wherever you can. Separate tracks let us fix one person without affecting the others — a quiet guest, a host who taps the desk, one bad connection. A single mixed file limits everything that can be done afterwards.
Usually. Room tone, fans, air conditioning, street noise and interface hum come out cleanly. Aggressive denoising is what makes voices sound underwater, so we work to the point where the noise stops being noticeable rather than chasing absolute silence.
Yes, along with long silences, restarts and the setup chat before you actually began. Tell us how tight you want it — some shows want every hesitation gone, others sound unnatural without them.
Yes, and it is the part most shows skip. Each episode is mined for exchanges that stand alone, cut vertical and captioned. Doing it in the same pass as the main edit is far cheaper than commissioning clips separately later.
Yes. Locally recorded tracks give the best quality and the worst sync drift, so they need aligning against the reference recording rather than assuming they start together. Send everything including the call recording.
Yes. Send two or three published episodes you are happy with and we will match the loudness, the intro and outro treatment and the editing tightness, so a listener cannot tell where we took over.
Yes. Send one episode and we will edit it free, with no card required. Listen on the worst headphones you own — that is where a weak master shows.
Podcasts are one format of several. These are the rest.
Get Started
Tell us your format and how often you publish, and we'll quote within 24 hours.
Podcast Editing
Tell us episode length, how often you publish, whether it is audio or video, and how many cameras.